![]() ![]() Finally, you'll find the play-along version. This pattern is also presented on the CD in a slow version of a representative section of each song which you can analyze and play along with. After every listening version, a 'picking pattern' follows: the rhythm guitar performs and stays with this picking pattern throughout the entire piece and it forms the common thread that represents the actual core of each composition. In this version, supporting instruments such as percussion, electric piano, strings, or acoustic bass are added in an appropriate manner for the style and mixed in softly without distracting the focus from the two guitars. First, there's a complete version for listening with an expanded and properly mixed arrangement. ![]() The included CD contains every piece in two different versions as well as a preparatory exercise. Stylistically, the pieces range from romantic, blues and bossa nova to samba, pop and folklore. Two songs, 'Desafinado' (Off Key or Out of Tune) and 'Samba de Uma Nota Só' (One Note Samba) were composed by Antonio Carlos Jobim and were released as singles in the U.S. This book is for all guitarists who are looking for something new to play and who don't want to limit themselves exclusively to the more traditional type of duet music that's available. Hope it gives you some ideas.10 Duette im Stil von Romantik, Blues, Bossa Nova, samba, Pop und Folklore. He also shows that you don't need to have monster chops to sound melodic.Īnyway, below is a link with an excerpt that covers the beginning of his solo. What is really cool for me is the way he will mix chord scales with blues scales to get those lines that grab your attention. What I finally "got" was that he is able to play blues scales over standard progressions like III-VI-II-V (IIIm7-bIII7-IIm7-bII7). It took me years to figure out what he was doing. I played it note-for-note for many years at gigs. low but the root is still that notes are bound to fol I’m as 9 through one we’ve just been se quence of the 75 new one is the con 6 you. 9 9 M add11 ba built up This is just a lit tle sam the Now 7 5 note. It had everything for me-swing, accessible, playable. One note samba (Samba de uma nota so) Antonio Carlos Jobim er Oth 7 7 5 on a sin gle note. His solo on One Note Samba is one of the first I ever learned. Kessel's version is on one of the first jazz albums I ever purchased, "Contempory Latin Rhythms". ![]() My favorite versions of this great tune are by Howard Roberts and Barney Kessel. As you can tell, I don't do the "modes thing", too much. Over a dominant, I play the arps of any of the chords that are harmonized to the melodic minor scale of that key. Over dim chords I play a diminished scale, either in the key or up or down 3 steps. I will sometimes throw in the major scale up a 5th, just like above. Over m7 I am playing a major 7th 3 steps up from the key of the m7. Over a maj7 I am playing ther maj7 arp along with the major scale at the 5th. The way I have been doing it is this (after playing only for 2 weeks what can you expect?). I have been alternating which one I am working on, but right now I have been sticking with A Felicidade. * F altered (same notes as B lydian dominant)Hey buddy. * G altered (same notes as Db lydian dominant) * Bb major (D phyrgian) - after all, the piece is in Bb Like the name says, The melody starts out with just an F note - I'd like riff on the F, but still play more that just F! The progression starts off: How do you like to improvise over the beginning to "One Note Samba"? ![]()
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